24th February 2013: “This is a good time for solo innovation” Says Jazzwise in 4 Star review for Robert Mitchell’s ‘The Glimpse’

    We just released Robert Mitchell’s ‘The Glimpse’ to the world this last week and the response so far has been tremendous.  The latest acclaim comes from Jazzwise magazine’s 4 star review which we reprint to the right. Check out more on this groundbreaking album on the dedicated album

21st February 2013: Dave Hamblett’s ‘Light at Night’ Featured on UK Jazz Radio

‘Light at Night’, Dave Hamblett’s solo-debut recording (to be released next Monday on WWR), has just been featured on Uk Jazz Radio. It can be heard again on the UK Jazz Radio site from tomorrow, Friday 22nd February.  Although not available to purchase just yet (four days and counting) you

21st February 2013: 4 Star Review For Gareth Lockrane’s ‘The Strut’ from UK Vibe

A 4 star review of our November 2012 release ‘The Strut’ by renowned, London based flautist Gareth Lockrane has reached us here today at WWR HQ. Described in the review by UK Vibe as “brimming with beautiful soul-jazz flavours” and that in the album “the musicians really stretch out over

18th February 2013: Dave Hamblett’s debut album ‘Light at Night’ with glowing review from All About Jazz

“Anyone wishing to explore the wealth of talent to be found among the UK jazz scene’s up-and-coming musicians can cheerfully begin here. Light At Night, the debut from drummer Dave Hamblett, features six of the finest of these young players. The album is impressively consistent, with Hamblett’s thoughtful compositions drawing

18th February 2013: WWR Artists Konrad Wiszniewski & Euan Stevenson make the cover of Jazzwise + feature Article, 4 Star Review for February Issue

Following on an update we did a little over a week ago, we’ve got some imagery for you of WWR Artists Konrad Wiszniewski & Euan Stevenson who have made the front cover of Jazzwise Magazines‘ FEB. issue with 4 Star review and feature on their debut release ‘New Focus,’ which

18th February 2013: LAUNCH DAY: Robert Mitchell’s ‘The Glimpse’ released worldwide today

Whirlwind Recordings is proud to announce the official worldwide release of ‘The Glimpse’ by Robert Mitchell is today. Now you can purchase the album in all good record stores around the world, as well as online at over 70 digital retailers. As exciting as that is, the best way to

17th February 2013: “An Outstanding Set of Arrangements and Execution of Music from an Extremely Talented Duo” – Recent Review of ‘New Focus’ from UK Vibe

To add to the collection of high-praising reviews for Konrad Wiszniewski and Euan Stevenson’s ‘New Focus’ WWR release, in comes a 4 star review from UK Vibe. Describing the jazz/classical crossover album as “one of the freshest sounding jazz releases to come out of the UK in the past few

14th February 2013: “The Left Hand Has Its Say” – Review of Robert Mitchell’s ‘The Glimpse’

Just four days and counting until the next WWR release, Robert Mitchell’s seminal album ‘The Glimpse’. The release will be on Monday 18th February and will be available in stores worldwide as well as here at our very own WWR store. In the meantime, you can catch up on what

13th February 2013: Robert Mitchell Big News Update: Cover of JazzUK for FEB/MAR with full featured article, Hi-FI review + brand new Promo Video for ‘The Glimpse’

 In just five days we release the debut WWR album ‘The Glimpse‘ from world-renowned composer, pianist, bandleader, music conceptualist, and educator Robert Mitchell, and he has been busy indeed.  Currently on a 20+ date tour in support of the albums’ release (and he is keeping an up to date and

12th February 2013: Via Hi-Fi News Magazine, Another Highly-Spoken Review of ‘Banned in London’ from the Aruan Ortiz & Michael Janisch Quintet featuring Greg Osby

Another review from Hi-Fi News Magazine has reached us here at WWR today, this time for our recent October 2012 release ‘Banned in London’, recorded at the 2011 London Jazz Festival, featuring WWR founder Michael Janisch plus Aruan Ortiz, Greg Osby, Raynald Colom and Rudy Royston.  The review describes the beginning of the

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