6th February 2026: By Popular Demand: The Vinyl-Only Reissue Of Orlando le Fleming’s ‘Misterioso’ out April 17 2026: Available for Pre-Order Today feat. Mark Turner, Jeff ‘Tain’ Watts
Announcing the vinyl only reissue of Orlando le Fleming’s Misterioso, released worldwide on
17 April 2026, featuring drummer Jeff ‘Tain’ Watts and Mark Turner on tenor saxophone.
Pre orders are now live here
ABOUT THE ALBUM


Tenor saxophonist Mark Turner, drummer Jeff ‘Tain’ Watts and bassist Orlando le Fleming are all equally renowned as leaders and composers, and all three occupy the same rarefied space at the pinnacle of jazz practice, but each approaches the music in their own very different, utterly unique ways. The music that the trio captured on that day resonates with all the depth of their shared understanding of the deep legacy, while simultaneously coming alive with each musician’s unique, innovative personality. Misterioso is no exercise in nostalgia, nor does it seek novelty for its own sake – it’s the sound of three true artists, fully in the moment, striking a perfect balance between old and new.
The project arose from a spontaneous sense of mutual admiration. “I’d played a lot with Tain in his bands, andwith Mark as well, and each of them had said to me that they’d love to play with the other.” remembers Orlando. “I was the common link so I booked a gig at Small’s with them both, and it clicked so well that Mark suggested that we take it into the studio. We had a rehearsal to work over some ideas and then went in.” All the tunes were standards or contrafacts on familiar tunes, with a modern standard by Tom Harrell added at Mark’s suggestion, and the arrangements were deliberately kept open and not overly complicated “I’m wary of over-complicating already beautiful melodies. This is the music as we learned it on the bandstand, everyone listening, taking risks.” The iconic Monk theme that provides the title track gets a stripped-down treatment that leads into a deep blues with solos from Mark and Orlando that are steeped in the language while finding something new to say.
‘Yesterdays’ sounds completely at ease over an odd-number meter that provokes a deeply satisfying set of melodic improvisations from the trio. Trane’s ‘Lazy Bird’ starts with an unaccompanied exploration by Mark that segues into a joyful calypso and then into a blazing workout by all three players, at the top of their respective games. The foundational post-bop document ‘Countdown’ is the starting point for more invigorating up-tempo swing that climaxes in a powerhouse statement from Tain, while by contrast Tom Harrell’s ‘Sunday’ brings a down-home Gospel feeling to proceedings. ‘Oraeze Nri’ and ‘Dingle Dangle’ are a pair of contrafacts by Mark and Tain respectively, showcasing their different personalities: Mark’s uniquely laid back sophistication and Tain’s irrepressible humor both find the perfect supportive partner in Orlando’s peerless basslines.
This is a captivating document of a meeting of three of the greatest practitioners of contemporary jazz, poised and effortless but full of surprises. “I believe Mark and Jeff have found that mysterious beauty, the perfect balance.” says Orlando. “Their playing effortlessly embodies the most profound elements of the past with the discerning innovations of today. These are living legends and their playing will stand the test of time.”






