22nd April 2014: Announcing the debut album from Alice Zawadzki, ‘China Lane’ out June 16th 2014

  Featuring Alice Zawadzki – vocals, violin, piano Alex Roth – guitars Andreas Lang – double bass Kit Downes – hammond organ Jon Scott – drums with guests: Shirley Smart – cello Emilia Martensson, Fini Bearman – vocals Eva Thorarinsdottir, Steven Proctor – violin Lucy Nolan, Tahan Stevens – viola

22nd April 2014: 4 Stars from Jazzwise & Jazz Journal PLUS Praising Reviews from London Jazz News, Jazz Camera, Jazz Views, The Guardian, Bebop Spoken Here & Marlbank for The Bannau Trio’s ‘Points of View’

The Bannau Trio, led by singer Nia Lynn, have gained a mighty collection of glowing reviews for their latest release Points of View released on WWR in late 2013. These include a 4 star review from both Jazzwise and Jazz Journal, as well as high praising reviews from London Jazz News, Jazz

21st April 2014: ‘A significant achievement’ says Marlbank about Bobby Avey’s ‘Authority Melts From Me’ + Jazz Gallery show report, inverview on Jazz Speaks + more

“It’s an absorbing quite superb listen, the suite inspired by Haiti’s 1791 slave revolt at its core. A significant achievement” 4 Stars, Marlbank The above quote is taken from the recent Marlbank review on Bobby Avey’s upcoming May 6 release Authority Melts From Me, and we couldn’t agree more.  On

21st April 2014: RELEASE DAY for Tori Freestone’s debut ‘In The Chop House’

Congratulations to Tori Freestone on the release of her debut album In The Chop House.  Get your copy here. In The Chop House is the debut album from Tori Freestone, a saxophonist, flautist and violinist who has been performing at the forefront of the British improvised music scene as both

12th April 2014: 4 Star Review from Marlbank PLUS Live Reviews from Bebop Spoken Here, God is in the TV & Interview with Tori by London Jazz News for Tori Freestone’s Release ‘In The Chop House’

Saxophonist Tori Freestone recently released her debut WWR release In the Chop House and we now have in a collection of praising reviews including a 4 star review from Marlbank plus live reviews from God is in the TV, Bebop Spoken Here and an interview with Tori by London Jazz News. 

12th April 2014: 4 Star Review from Marlbank for Monocled Man’s ‘Southern Drawl’

Rory Simmon’s ‘Monocled Man’ will soon be releasing their debut WWR album Southern Drawl and we already have in a glowing 4 star review from Marlbank. The review describes it as an “album that is a serious listen” continuing to say that it’s “further evidence that Simmons can be counted as

10th April 2014: Press update for ‘Leave the Door Open’ by Joel Harrison & Anupam Shobhakar: 5 stars from Jazz Journal, 4 star Downbeat, BBC Radio play, Jazz Thing, All About Jazz + more

More great press than we can shake a stick at! Joel Harrison & Anupam Shobhakar released Leave the Door Open in March and since it’s release we’ve had dozens of reviews and radio play for the album hit from around the world.  Recent highlights include BBC Radio 3 play, 4

10th April 2014: Alex Garnett’s ‘Bunch of Fives’ on BBC IPlayer this week until April 12th.

Saxophonist Alex Garnett released Serpent with us in 2011 to widespread acclaim and has recently finished a nationwide UK tour with his new project ‘Bunch of Fives’ featuring fellow tenor sax man and long time friend Tim Armacost from NYC, UK based musicians Liam Noble on piano, Michael Janisch on

5th April 2014: Review from Zona de Jazz for Tori Freestone’s ‘In The Chop House’

Saxophonist Tori Freestone recently released her debut on WWR with In The Chop House and has just received a glowing review from Zona de Jazz who state that “the album is especially suitable for lovers of the chord-less trio” and that it is “an album with a lot of truth

4th April 2014: Rachael Cohen’s WWR Release ‘Halftime’ Reviewed in The Guardian

The Guardian have recently written a highly praising review on Rachael Cohen’s debut release Halftime. The review says that “Cohen takes a softly devious approach reminiscent of Lee Konitz – but, as with the canny Cool School veteran, the quietness is deceptive and the subtlety is in the weighting of phrases and the hipness

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