20th April 2016: Jason Palmer and Cédric Hanriot ‘City of Poets’ feat Donny McCaslin, Michael Janisch and Clarence Penn: Preview tracks + PRE ORDER now available + US Launch shows starting tomorrow in Washington D.C.
City of Poets drops officially on May 20th; however, you can now PRE ORDER the album and get the MP3 320 digital album instantly sent to your email. CDs will be shipped one week before release. We’ve also got the preview tracks available to listen to for the entire album –> click here.
The band has three special shows in Eastern US starting tomorrow, and will have advance copies available each night:
CITY OF POETS USA ALBUM RELEASE CONCERTS:
21/04/2016 – ATLAS PERFORMING ARTS CENTER, Washington D.C.
22/04/16 – PHILADELPHIA MUSEUM OF ART, Philadelphia, Penn.
23/04/16 – SHEA CENTER FOR THE PERFORMING ARTS, Wayne, NJ
About the album, and stream a full track, below:
The very essence of American trumpeter Jason Palmer and French pianist/composer Cédric Hanriot’s improvisational concept City Of Poets – centered around Olivier Messiaen’s 7 Modes of Limited Transportation and US author Dan Simmons’ acclaimed, four-novel science fiction series Hyperion Cantos – is sufficiently intriguing to prompt further exploration of its background and, indeed, the artistic collaboration and musical output it has inspired.
A French/American jazz exchange project (in association with the French-American Cultural Exchange and Mid Atlantic Arts Foundation), its overarching melodic frameworks are based on Simmons’ literary themes of pilgrimage and the life stories of his prominent characters – hence these varied ‘tales’ from The Priest, The Soldier, The Poet, The Scholar, The Detective and The Consul, as well as mysterious four-armed, semi-organic creature The Shrike.
Writing for quintet – completed by colleagues Donny McCaslin (tenor saxophone), Michael Janisch (double bass) and Clarence Penn (drums) – Palmer and Hanriot chose to restrict themselves to Messiaen’s seven modes, each of which are defined by differently shifting degrees/intervals (though always symmetrical and each sharing the same beginning and ending reference point). Once the melodic structure was in place, Palmer explains, the harmonic and rhythmic content for each of the seven tracks arrived quite easily: “It was quite an exercise in creative periphery, the art of taking in literary work and creating musical work simultaneously.”
Launched in 2014 and emphasising its cross-cultural ethos with concerts and masterclasses in the USA, UK and France, the work has taken on an energy of its own at the hands of these stellar improvisers. From the colourful, two-horned vibrancy of ‘The Priest’s Tale (Mode II)’ to dusky piano/bass blues ‘The Detective’s Tale (Mode VII)’, this is music which shrieks spontaneity and whispers the work of imagination, reflecting the creative, cultural roots of both its inspirers and realizers. Percussively piquant ‘The Shrike (Mode I)’ revels in Palmer’s blistering trumpet extemporisations, whilst Michael Janisch’s supple, effected bass enhances the mystery of ‘The Scholar’s Tale (Mode III)’. ‘The Soldier’s Tale (Mode IV)’ swings coolly to Hanriot’s pianistic deftness, and the broad landscapes of both ‘The Poet’s Tale (Mode V)’ and ‘The Consul’s Tale (Mode VI)’ throw the rich fluidity of McCaslin’s tenor into the spotlight.
This recording, captured before a receptive, live audience at London’s Pizza Express Jazz Club, expresses all the intended fervor and vigor of this original music and the excitement and freedom emanating from the quintet’s sparky invention. To put a musical slant on the words of English philosopher Bertrand Russell, quoted in Dan Simmons’ Hyperion: “Language serves not only to express thought but to make possible thoughts which could not exist without it.”