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Purchase or listen to individual MP3s:
Each track costs $0.99, are 320 bit rate and contain embedded artwork

1. El Barranco
2. The Press Gang
3. Identity Protection
4. All or Nothing at All
5. Challenger Deep
6. Quetzalcoatlus
7. A Charmed Life
8. Cross Wired
9. The Press Gang (Reprise)

About: ​El Barranco

Official worldwide release date - July 15, 2016​

Reaching into the heart of improvised music has become second nature to British tenor saxophonist Tori Freestone and perennial colleagues Dave Manington (double bass) and Tim Giles (drums) on their latest Whirlwind release El Barranco. Following their warmly-received 2014 release In the Chop House and subsequent live appearances, the trio have relished the opportunity to reconvene in the studio to record this collection of intuitive explorations (often first takes) of predominantly original compositions, including a pair of London Jazz Festival commissions.

The challenge of the wide-open chordless format is enthusiastically embraced by this trio, offering an improvisational prospect which constantly evolves, thanks to their innate ability to share ideas and spontaneously flex in new directions. Tori Freestone’s characteristically voluble tenor delivery is a key factor in this artistic process: a continuous channel of flowing, tumbling lines arriving from a seemingly limitless, spring-like source; and the quicksilver responses and diversions of both Manington and Giles are so genuinely realised. All of this combines in creating delightful group unpredictability, via a mutual, carefully crafted musical vocabulary, which happily hovers on the periphery of delineated structure.

Freestone clearly revels in the recording aspect: “Whenever we go back into the studio, it’s so great to have a couple of days enjoying making music together. The more we tour in the UK and internationally the more the new ideas start to flow and develop, taking us up onto another level to where we can’t wait to put this down on a new album.”

The concept of creative spaciality is reflected in the saxophonist’s album title and own sleeve illustrations, referencing the beautiful, mountainous terrain of Tenerife – in particular, El Barranco de Masca – which, for many years, has remained especially close to her heart. Thus, the inspiration for opening title track ‘El Barranco’ arrived almost instantaneously, its airy nonchalance a perfect vehicle for the liquid, intertwined phrasing of tenor and bass, buoyed by an expressive lightness of touch from drummer Tim Giles. The first of two commissions, 'The Press Gang' echoes Freestone's musical roots with a suitably dark interpretation of the gloomy folk-tune tale (reprised as the album's end-piece, in appropriately traditional guise, by way of a haunting vocal-and-violin solo performance); and the full-tilt exuberance of contrasting partner piece 'Identity Protection' further reveals the trio's enthusiastic abandon.

Elsewhere, Dave Manington makes two compositional contributions, the thrummed, ‘60s soul bass riff of his ‘Challenger Deep’ setting up a distinctively alternative groove; and ‘Quetzalcoatlus’ (purportedly the largest prehistoric flying animal that ever lived) becomes increasingly wild, jagged and audaciously airborne. Arthur Attman’s familiar standard, ‘All Or Nothing At All’, is skilfully threaded between the players, Freestone’s mellow tenor fluidity as heartfelt as ever; and the snappy, complex, changeable moods and rhythms of ‘Cross Wired’ speak volumes about a trio whose creative understanding (contrary to its title) is so impressively fine-tuned.

Expounding on their now-established approach, Tori says, “We love that the freedom we enjoy creating in our playing can reach people in so many different ways. At one concert, someone who was new to jazz expressed to me that our music had taken them on a journey they never knew they could experience; so it’s lovely that somehow we have formed a language which, rather than being intellectual or inaccessible, can be both contemporary and relevant – and we really look forward to engaging audiences with the new material on this album.”

Press Highlights

"A formidable improvisers’ showcase of reflectiveness and fierce intensity."
★★★★ The Guardian

"Thoughtful writing and arranging, adventurous collective improvising and a well balanced trio sound with some superb interaction between the players."
★★★★ The Jazz Mann

"The three musicians gel together perfectly, exuding skill and harmony within an all-too-rarely heard chordless formation."
★★★★ All About Jazz

"Freestone has established a remarkable mastery over the border territory where composition meets improvisation and her trio's collective sound is consistently intelligent and increasingly unique."
★★★★ The Jazz Mann

"Strong melodic intelligence with a playful, at times reckless sense of adventure."
★★★★ The Irish Times

"Brims with passion and invention."
★★★★ Kind of Jazz

"This music is finely pitched between the accessible and the challenging, as the instinctive empathy between the players allows them to veer in and out of groove and harmony at will... The live show should be riveting."
Jazz Views

"Another interesting, varied and enjoyable recording."
Sandy Brown Jazz

"Freestone's hypnotically inventive improv is a deeply personal one... A tenor saxophonist worthy of more recognition."
Jazzwise Magazine

"This is a powerful follow up."
Hi-Fi News & Record (Album Choice October)

"Everything on this CD gels perfectly... A CD which is both imaginative and accessible."
Northern Echo

"Free flowing, free style... a totally personal jazz combo sound."
★★★★ Jazz Journal

"Natural aplomb and powerful musicianship."
Morning Star